![]() ![]() By analyzing waveforms, a variety of faults on sensors, actuators, circuits and electronic control units can be discovered saving time on vehicle diagnosis and cutting down on unnecessary parts replacement costs.Įlectrical signals and their waveforms can be recorded, displayed, compared and examined based on the following parameters: amplitude (the maximum voltage of a signal), shape (the form of the signal), pulse width (the duty cycle or time interval of the signal) and array (the repetition characteristics of the signal). The Scopebox quickly captures suspect / intermittent signals for waveform analysis via the screen of your X-431 PAD II. Make your life easy and let Hedge do the tedious jobs. Built for media Offload media lightning fast, whether it's video, stills or audio. Once you figure it out, it's obvious anyway.Turn your professional diagnostics into a 4 channel Lab Scope with the LAUNCH Scopebox. Hedge recognizes all connected storage Drag in what you want to copy Set up your destinations All systems go, at the same time Rinse, repeat. In the long run, this might be better since the muted colors reduce eyestrain. On my older monitor, the colors were very subtle and it took me awhile to figure out what was going on. Each palette has little circles that open for each source and the color of the window of the sources and the palettes switch to show you which one is which. Intuitive trigger settings and quick trigger source switching make the most difficult. With that said, there is one caveat: the way you tell which palette goes with which source is a little bit on the subtle side. O2-1 Scopebox can not only capture the circuit signal quickly. A series of various palettes can be switched to your different sources. You can also have multiple sources including more than one camera and Quicktime movies. The custom still image of the storyboard overlaying the live video. Version 3.2 of ScopeBox is a standalone application that runs on PowerMac G5 (OS X 10.5.8 or later) or Intel-based Macs (OS X 10.6.8 or later) and provides scopes for postproduction quality assurance, several essential on-location monitoring tools, and the possibility of live capture/recording. All of the scopes have different options. Mono makes it a vibrant green color but it takes the mind an extra step to associate this image with the boxes for red blue, yellow, green, cyan magenta and then translate that to the colors that are being affected. Of course, you can also set the mode to weighted and mono. I like to use the vectorscope with the mode set to color as it gives little colored pixels that show you what you are getting. The first time you attempt to add a ScopeLink source, youll be prompted to install ScopeLink. It's great fun to point a video camera around and watch the picture change on the scopes, even if you don't know what they all do you can figure out most of it by watching the changes. Installing ScopeLink requires administrator privileges on your computer. Each different palette also has several choices for mode, sampling, colorspace and intensity. There is a nifty solo palette that enlarges the top palette to fill it's area of the screen, another click of the same keys gets rid of it. You can open all sorts of things in Scopebox 2.0 including a waveform, vectorscope, rgb parade, yuv parade, vu meters, luma and rgb histograms and timecode. Battery Life: Up to 50k hours Settings: 10 (8 Visible nad 2NV) Operation. With that format in mind, it works pretty well. Arken Optics EP-4 Scope BOX - NO SCOPE - BOX ONLY - Brand New 45.00 Seller. However it is well set up for a single screen laptop which would be most commonly used by location filmmakers. The interface is a little awkward for Mac users and, for studio use, you can't drag the windows around to other monitors. The custom image well containing a storyboard image. (I understand that PC users can utilize Adobe’s OnLocation with similar features, but Scopebox 2.0 is the only sub-$1000 Mac program that I’ve used that will do so.) I haven't found another Mac program that I or any of the people I usually work with owns that can combine a matte with a live camera feed. If you don't have an alpha channel you can use the opacity to line things up and click it on and off. You also adjust the opacity before you see anything there. You have to drag a Photoshop file or other picture file in from the finder into the custom image well which is a black area slightly below the custom image button. But it does so much more: including recording video from your camera directly onto your laptop while you are checking your zebras, your scopes, adjusting the focus and even viewing an overlay picture for your visual effects.Īlthough probably not intended as such, the overlay feature is a great tool for visual effects as I can see the matte area thru my live camera and adjust lights, perspective action and color in the camera to match. Scopebox, now in it's 2.0 release, basically puts all the color, lighting, and other scopes you'll ever need to analyze the quality of your camcorder's image on your laptop. ![]()
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